Capturing the Champs with our digital cameras back in 2009

The present image is an expressing example of how digital cameras transformed our practices of looking, recording and remembering. The image was publish in the front page of the spanish newspaper "Qué!" back in 2009 when the football team of Barcelona acomplished three titles. This is quite an unique moment since smart phones quickly changed the "two hand" action of taking the picture for a "one hand" shoting.

The following is a detail of the picture:

Both hands raised up for capture them. That is how the use of the device "move" our body in this particular case. As will be shown in an upcoming post mobile smart phones have changed this way of catching the image. Maybe in the future we won't even have to use the hands, maybe the device will be set within our eyes.

Gif de cuatro rostros tontos

Gif de 4 rostros tontos. Se llaman así:
- oh
- eh
- ee
- mm.

Interviews with Doris Salcedo, a colombian political oriented artist

Doris Salcedo is one of the most important artists nowadays. Her work has been shown all around the world, not because of its decorative usefulness, but because of its political meaning, its conceptual subversive statements. Political sense, memory, images resisting the overshadowing effect of visual violence derived from social conflicts (as the colombian one), are three of the most important qualities of her aesthetics proposes.

- Razón Pública Foundation interview:

- San Francismo Museum of Modern Art Interview - SFMOMA: 

- Tate Gallery Interview:

- Museo Nazionale delle arti del XXI Secolo:

The Lictors Bring to Brutus the Bodies of his Sons or The First Modern Political Painting

Almost simultaneously to the Bastilla Palace taking, Paris saw another important event: the national arts saloon. That year (1789) there was an outstanding painting that did not go unnoticed: "The Lictors Bring to Brutus the Bodies of his Sons" by the neoclassical painter Jacques Louis David. This painting could easily be the first political image of modernity because it became one of the symbols of the rising french republic.

¿Why was this painting so important and expressing of the french revolution?
The history has recorded the roman Brutus as the most important defender of the republic. Lucius Junius Brutus is known as the founder of the roman republic and one of its first consuls. In 509 BC he led the revolt that overthrew the last king of that age Lucius Tarquinius Superbus. But the royal family did not accepted the defeat and attempted to regain the throne. Amongst the conspirators there were two sons of Brutus... the consul had to stay firmly stoic and finally accepted to punish all the conspirators with death.

In the name of the republic Brutus accepted the execution of his sons though he suffered. His sacrifice became a symbol of the end of the monarchy in the France of the XVIIIth century. The painting of Jacques Louis David created great controversy as he intended, in fact the painter was a well known supporter of the revolution, friend of Robespierre and member of the jacobin club.